Untitled (August 2017)

Two solid black human silhouettes stand in shallow water, their reflections breaking across a field of fine white contour lines that trace the rippled surface against a pure black ground; aggressive red gestural strokes — scattered like paint drips or drawn marks — cut across the entire composition in three directions. The work appears to be a digitally edge-detected or posterised photograph of a night scene, with a layer of vivid red marks added either digitally or physically on top.