Untitled (December 2017)

Three loosely resolved figurative studies occupy the sheet — a central figure tilts the head back with hair loosened, flanked by two partial torsos — all rendered in charcoal on white paper with vigorous hatched shading and rapid contour lines. The marks are unrestrained and layered, combining broad tonal washes of smudged charcoal with scratchy, energetic line work that conveys movement and anatomy simultaneously.