Untitled (March 2019)

A gestural figure study — likely one or two nude figures — built up from rapid, overlapping strokes in colored pencil or wax crayon on white paper, using black, red-pink, ochre-yellow, and blue lines that accumulate into loosely suggested torso and limb forms. The technique is pure speed-drawing: the marks are not corrected but layered, creating a dense chromatic mesh in which the figure dissolves into its own making.