Untitled (August 2017)

A two-panel diptych on a near-black ground in which a standing figure — likely an artist working at an easel — is rendered as a dense silhouette with thin white contour lines tracing the body's edges; bold red lines cut diagonally and horizontally across both panels, suggesting the structural geometry of an easel or studio armature. The right panel reveals more interior detail — hands in motion and a small rectangular surface that reads as a canvas or screen — implying the pair documents a before-and-after or raw-versus-revealed stage of a photographic edge-detection or negative-inversion process.