Untitled (March 2017)

A seated nude figure seen from behind and in three-quarter profile, rendered in rapid, looping white-grey line work on a pure black ground; vivid red streaks cascade through the torso and shoulders like dripped paint or exposed nerve, and a thin red border frames the composition. The technique appears to be a digitally processed gestural speed-drawing in which a chromatic red layer has been selectively burned or overlaid to heighten visceral intensity.